The OmenVerdict: Classic horror, but not quite as amazing as its legend will have you believe.
Grade: B-

NANNY: Look at me, Damien! It’s all for you!

I had heard of it way back in the day, but was never really intrigued enough to go out and watch The Omen. When the remake was announced for release on 6/6/06 (has it really been over ten years since then?), I became instantly more interested in seeking out the original film. I had to outright buy an inferior DVD version of the film in order to view it on the mythically satanic day, but felt it was necessary to get myself in the right frame of mind for the new version. While I was not terribly disappointed by what some deem classic horror, I was not entirely impressed either.

Robert Thorn (Gregory Peck) is an American ambassador in Italy, whose wife Katherine (Lee Remick) has given birth to a stillborn baby, on June 6 at 6 am. For the sake of his wife, Robert goes to an orphanage and adopts a newborn child. He brings the new kid to his wife passing it off as their own, never telling her of the tragic death. They name him Damien, and soon after the Thorns are moved to Britain. As Damien’s fifth birthday comes, however, a bizarre death occurs at his party. Worse yet, stranger things begin to happen soon afterwards, leading Robert to start believing that his son may be the anti-Christ, his arrival signalling the End of Days.

While the film is not particularly scary now (or even compared to The Exorcist, which it has long stood in the shadow of), it remains fairly tense. As it goes along and the death toll rises, you cannot help but start believing everything is much more real than it seems. Just the idea of the devil being born again in the body of a child is more than terrifying enough, let alone the horrific death scenes. And as a result, Richard Donner’s production performs incredibly well, even forty years later. David Seltzer’s screenplay is well versed and well-written, even though you can predict what is coming. Jerry Goldsmith’s Oscar-winning score holds up even better, even if it is a touch more dramatic than it should be.

What still disappoints me most is the lack of  Damien and Mrs. Baylock. This creepy pair is what everyone remembers most about The Omen, and both are barely in the film.

Peck is great as the ever inquisitive Robert. He remains vigilant for the majority of the film, never quite knowing the whole truth at any one time and allowing the audience to experience the unravelling just as shockingly as he does. While the emotional moments are a little underwhelming, considering Peck’s pedigree, he still manages to make the material riveting and thought-provoking. Remick is not bad in her role as Katherine, but she unfortunately falls to the wayside about halfway through the film as Robert’s investigation becomes more focal. I enjoyed it when she was around, and still feel she deserved so much more. David Warner does a great understated turn as the photographer Keith Jennings, and for his short role, Patrick Troughton does great as Father Brennan.

But what still disappoints me most about the film, considering its notoriety and their focus in the remake, is the lack of Harvey Stephens’ Damien and Billie Whitelaw’s Mrs. Baylock. This creepy pair is what everyone remembers most about The Omen, yet both are barely in the film. They are absolutely incredible when they are on screen, but their moments come too few and far between to make the impression that years of discussion has built up. I felt a little let down during my initial watching of the film, and the years since have not changed my mind (even if they still run laps around the entirety of the cast of the remake).

All this aside, if the film has anything actually wrong with it, it is the fact that there is so much going on at any given moment that it stretches the film out a bit too far. While some moments pass by ridiculously quickly, the majority feels too long for its own good. The film is interesting for the first half, but begins to get bogged down by a ton of exposition. It drags out, and what should feel really shocking ends up feeling really boring. Yes, the many moments that are supposed to be horrific remain horrific. But by the time the film hits its eventual conclusion, I just became less and less interested in what it was trying to do. And even with all the added exposition, there are still way too many questions left unanswered.

I did enjoy the film, just with caveats. It is very well-made; it just could have used additional editing. It is interesting and frightening; but grows strikingly boring all too quickly. The main cast are excellent; but my wish then and now remains the same: more Mrs. Baylock and Damien.


The Omen (1976)
Written by: David Seltzer | Directed by: John Moore
Starring: Gregory Peck, Lee Remick, Harvey Stephens, Billie Whitelaw, Patrick Troughton

About the author


David Baldwin is the Film Columnist at Geek Speak Magazine. He was raised on an unhealthy amount of 80s and 90s cinema, and somehow equally admires bloody action sagas and seminal teenage coming-of-age dramadies. If he is not talking about movies or TV shows, he's probably sleeping. Talk to him about the latest Oscar drama or schlocky horror film you watched on Twitter at @davemabaldwin.